Many editors working in Premiere, Avid and Final Cut Pro are already using Resolve to color grade. Color grading is no longer a luxury but an essential part of every edit. Resolve is not a dead-end for your project.īeing able to seamlessly transition your edits into the color page is probably Resolve’s biggest draw.
#Final cut pro 7 features plus
It’s got the best native compatibility of any NLE, which is plus if you are considering switching, knowing that there’s a way to export your edit to another edit NLE. Resolve is capable of importing and exporting XMLs, FCPSMLs, EDLs and AAFs making it easy to transfer edits to Avid, Final Cut Pro and Premiere. It needs to be able to integrate with the rest of the post-production workflow. Automatic Cut Detection when importing pre-edited videos, which is similar to Premiere’s new Scene Edit Detection.Īn NLE’s editing experience is only part of the equation.Automatic face detection for sorting media…a super cool feature.Compatibility with audio timecode, generated by popular timecode hardware like Tentacle Sync.It lacks some niche features found in other NLE’s like automatic resizing of videos for different aspect ratios or, final cuts fantastic keywording tools but it adds others like: Sure, resolve has its quirks but what NLE doesn’t? Pick your poison. All the same core tools and concepts are present. In fact it’s so similar to editing in Premiere and Avid that it’s simpler to talk about where it’s different. Any edit can be opened in either the cut or edit page allowing you to switch between them depending on what stage your edit is at.Įditing in Resolve’s Edit page will feel familiar. And you don’t have to choose one or the other. It’s actually kind of refreshing to see such innovation. But if you are curious, it’s designed for speed, with a streamlined set of tools for the tasks you most commonly perform when assembling an edit. If the cut page scares you, don’t worry! Don’t use it. Not a perfect analogy, but you can think of the edit page as Premiere Pro or Avid – offering your traditional track-based editing experience, and the cut page is more like Final Cut Pro featuring a magnetic style timeline. When it comes to editing, Resolve has a bit of a split-personality, offering two different editing experiences via the cut and edit page. Essentially, Resolve blows Lumetri out of the water! But that’s a topic for another video. Resolve is the industry standard for color grading, used on films costing 100’s of millions of dollars. Although comparing Resolve’s color grading functionality to Lumetri is a bit of an understatement! If you’re used to Adobe’s Creative Suite you can think of this as Premiere, After Effects, Audition, Media Encoder and Lumetri all packed into one program. Resolve used to be a one trick pony, focusing on color grading but its feature set has grown to include editing, compositing, audio, 3D and encoding. If you don’t feel the need to customize the UI, you won’t miss the ability to.
#Final cut pro 7 features software
Software like Premiere does offer more customization, but Resolve’s interface feels more polished. It’s similar to most NLE’s workspaces, each configured for a different task. Media management, editing, VFX, color correction, plus grading, audio and delivery. Resolve’s feature set is divided into 7 pages, and each page is dedicated to a different part of the post production workflow. The interface is clean and well organized. Its refreshingly simple, a small detail we like that allows you to focus on creativity. drp format, by default Resolve stores project files in a database allowing you to access them via it’s own interface. While it is possible to export Resolve projects in the. Unlike other NLEs that require you to choose where to store your project files, Resolve manages these internally. And finally, we’ll answer the big question…should you start using it? The Interface, Features, Integration & Cost Then, we’ll summarize Resolve’s strengths and weaknesses. We’re going to start with a look at the Resolve user-interface, its feature-set, how it integrates with the rest of your post-production workflow and its cost - spoiler, it’s free! Whether you’re considering learning Resolve, or are already an experienced user looking to better harness its unique strengths, check out the video or read the transcript below! In this post we’re going to compare Resolve against the competition. So much so that many long-time editors are making the switch.
Once the underdog, DaVinci Resolve has grown into a mature NLE capable of competing with industry standards like Final Cut, Avid and Premiere Pro.